Les Espaces Électroacoustiques, by Institute of Computer Music and Sound Technology /ZhdK

Les Espaces Électroacoustiques

by Institute of Computer Music and Sound Technology /ZhdK

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1.	Edgar Varèse: Poème électronique (1958) 08:07	buy track
2.	György Ligeti: Glissandi (1957) 07:39	buy track
3.	György Ligeti: Artikulation (1958) 03:54	buy track
4.	Bruno Maderna: Musica su due dimensioni (1958) 12:45	buy track
5.	Luciano Berio: Différences (1958-59) 15:30	buy track
6.	Luciano Berio: Visage (1961) 21:10	buy track
7.	Helmut Lachenmann: Szenario (1965) 12:34	buy track
8.	Jonathan Harvey: Mortuos Plango, Vivos Voco (1980) 09:11	buy track
9.	Pierre Boulez: Dialogue de l'ombre double (1985) 21:19	buy track
10.	Brian Ferneyhough: Mnemosyne (1986) 10:56	buy track

about

Is a musical performance “historically informed”? Does it do justice to the “original sound”? Is it even possible to truly experience the “original idea” behind a composition when it is performed with “modern instruments”? We are familiar with questions such as these in connection with the interpretation of so-called early music. On this double album they are rigorously applied to so-called new music. Milestones of electroacoustic music – from Varèse’s Poème électronique (1958) to Ferneyhough’s Mnemosyne (1986) – are investigated from a music-historical perspective and presented in a contemporary 5.1 surround edition. The artistic curiosity, scientific relevance and technical know-how that are essential ingredients for such a project are contributed by the Institute for Computer Music and Sound Technology (ICST) at the Zurich University of the Arts, under the direction of Germán Toro Pérez. www.zhdk.ch

credits

released November 1, 2016

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Institute of Computer Music and Sound Technology Zürich, Switzerland

www.zhdk.ch/forschung/icst

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